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From the Archive · September 23, 2026

The Hunter Observed: Audubon's Tyrant Fly-catcher in Motion

Tyrant Fly-catcher Audubon Bird Print - Plate 79

Tyrant Fly-catcher Audubon Bird Print - Plate 79 -- Slimwood Silver framed hero, largest offered artwork 20 x 30 inches

A Predator at Rest

John James Audubon spent years stalking American wilderness with gun and sketchbook, determined to capture every bird on the continent at life size. When he turned his attention to the tyrant fly-catcher, he found not a songbird but a fierce hunter, one of the few birds bold enough to chase insects mid-flight and defend its nest against larger prey. Plate 79 from Birds of America catches this aggression mid-moment: the upper bird stretches with open bill, mid-strike or mid-call, while its companion below clutches a freshly caught winged insect.

The composition speaks to Audubon's deep field knowledge. He didn't just paint birds; he recorded behavior. The cottonwood leaves and catkins aren't mere decoration but habitat, the exact ecosystem where these birds hunt and nest. The orange crown feathers and pale breasts provide contrast against the green foliage, a technique Audubon refined across hundreds of plates between 1827 and 1838. Each detail served a purpose: to show the naturalist, the student, the collector, exactly how this bird lived and moved.

This vintage illustration belongs to one of natural history's most ambitious projects. Audubon's Birds of America was a monumental work of both art and science, produced through hand-colored engraving and aquatint at a scale that demanded serious wall space. Museums, libraries, and serious collectors have treasured these prints for nearly two centuries. The ornithological prints remain as relevant to modern natural history study as they were to Victorian naturalists.

Today, this restoration honors that legacy while making it accessible. The original engraving's fine line work, the botanical precision, and Audubon's sense of movement all resurface in crisp clarity.

Paper & Craft

Each reproduction is printed as a museum-quality giclée print on heavyweight 325gsm archival matte paper with archival inks, ensuring the soft, scholarly finish of the original while guaranteeing permanence for decades. The restoration work carefully preserves the character and patina of the vintage source material.